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DTSTART;VALUE=DATE:20230928
DTEND;VALUE=DATE:20240205
DTSTAMP:20260411T021716
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UID:11499-1695859200-1707091199@archive.lewismuseum.org
SUMMARY:Blacks In White: African American Health Professionals 
DESCRIPTION:Blacks In White: African American Health Professionals\nSeptember 28\, 2023 – May 20\, 2024 \nThis exhibition proactively presents a snapshot of African American and Black health professionals in Baltimore\, Maryland\, and the Chesapeake region and their many interventions to protect and support Black public health. Blacks in White traces health practitioners’ commitment\, innovation\, ingenuity\, and resistance to medical racism. The narratives presented in the exhibition intentionally trace the continuous and creative efforts of Black community members and health professionals to provide care for and to African Americans. \nBlacks in White explores four primary themes that help frame the contributions of African American health professionals in the region\, including: a timeline outlining African American access to health\, the role of key institutions in supporting public health education for African Americans\, exploring the pivotal role of Provident Hospital\, and highlighting the contributions of African American community health giants.   \nPlan Your Visit\n 
URL:https://archive.lewismuseum.org/event/blacks-in-white-african-american-health-professionals-2/
LOCATION:Reginald F. Lewis Museum\, 830 E. Pratt St.\, Baltimore\, 21202\, United States
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DTSTART;VALUE=DATE:20231005
DTEND;VALUE=DATE:20240116
DTSTAMP:20260411T021716
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UID:12077-1696464000-1705363199@archive.lewismuseum.org
SUMMARY:Vision & Spirit | African American Art: Works from the Bank of America Collection
DESCRIPTION:Vision & Spirit | African American Art: Works from the Bank of America Collection \nOctober 5\, 2023 – January 15\, 2024 \nVision & Spirit | African American Art: Works from the Bank of America Collection is composed of more than 100 paintings\, prints\, drawings\, photographs\, and mixed-media works by 48 artists born in the nineteenth and twentieth centuries. The exhibition highlights key aspects of these artists’ lives\, as well as the important objects they created. Vision & Spirit focuses on these talented individuals’ strength and spirit as creative forces whose work continues to shape our understanding of the world. \nThe wide variety of artists represented in the exhibition look forward\, contribute to progress and guide the visitor toward greater equity and understanding. The theme of Vision & Spirit is resilience and demonstrates how African American artists have embodied this quality in their work. The exhibition explores the meaning of resilience: Is it perseverance? Is it staying power\, or is it something much deeper? Resilience embodies strength and humanity. \nArtists in the exhibition include Henry Clay Anderson\, Chelle Barbour\, Romare Bearden\, Dawoud Bey\, Willie Cole\, Murry DePillars\, Jacob Lawrence\, Whitfield Lovell\, Gordon Parks\, Faith Ringgold\, Jamel Shabazz\, and James VanDerZee. \nArtists have always mattered. Whether it’s Lorna Simpson\, whose work challenges narrow\, conventional views of identity\, history and memory using the African American woman as a visual point of departure\, or Dewey Crumpler\, whose examinations of the lure of contemporary pop culture in his mixed-media works explore global consumer capitalism\, they inspire other artists to push forward and develop new ideas. \nVision & Spirit inspires viewers to go on a journey of revelation and discovery. Passion\, ingenuity\, and beauty are brought forth by the creative geniuses in this exhibition. Art is a two-way conversation; viewing art is not a passive act. The artist speaks through their work\, and\, by way of their experience\, the viewer has the opportunity and privilege to listen\, reflect and to be transformed. \nPlan Your Visit\n 
URL:https://archive.lewismuseum.org/event/vision-spirit-african-american-art-works-from-the-bank-of-america-collection/
LOCATION:Reginald F. Lewis Museum\, 830 E. Pratt St.\, Baltimore\, 21202\, United States
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DTSTART;TZID=America/New_York:20240115T110000
DTEND;TZID=America/New_York:20240115T200000
DTSTAMP:20260411T021716
CREATED:20231218T160505Z
LAST-MODIFIED:20260114T150510Z
UID:12351-1705316400-1705348800@archive.lewismuseum.org
SUMMARY:KING DAY 2024
DESCRIPTION:KING DAY\nCANCELED?: Due to inclement weather\, King Day has been canceled for the safety of our visitors and staff. Please be safe and stay warm today! \n\nCelebrating Dr. King and Maryland’s Year of Civil Rights through music\, art\, storytelling and virtual reality in connection as we close the exhibition\, Vision & Spirit | African American Art: Works from the Bank of America Collection.  Enjoy an artist talk with NMAAHC Curator Aaron Bryant on civil rights photojournalists who documented Dr. King and other landmark moments  from this era. Reflect on the movement with a choral performance from the Carter Legacy Singers\, a community-based ensemble comprised of Dr. Nathan Carter’s alumni singers from Morgan State University.  Families can learn more about the Montgomery Bus Boycott through mother-and-son storytellers\, “Dr. Mama” Deborah Pierce-Fakunle and Dr. David Fakunle. Participate in an  I Am  A Man virtual reality experience to explore the Memphis Sanitation Workers protests and their aftermath. Hear a  panel discussion reflecting on Dr. King and pivotal moments in the passage of the 1964 Civil Rights Act of 1964 by Maryland community civil rights leaders. Participants include:  Rev. Dr. Ruby Reese Moone\, Charles Mason\, Leo Burroughs Jr.\, Lisa  Mitchell Sennaar and Simone R. Barrett (Moderator). July 2\, 1964  marks the 60th anniversary of the Civil Rights Act of 1964. \nThe day concludes with a screening of the documentaries Disruption: Highway to Nowhere and Eroding History and a panel discussion with the films’ producers and policy makers as they consider the equalizing factor of environmental injustice and its impacts on Black Marylanders in urban and rural settings. Produced by journalist and documentarian Sean Yoes\, Disruption: Highway to Nowhere explores Baltimore’s infamous Highway 40 and the damage its construction wrought upon West Baltimore\, once considered one of several of America’s most vibrant Black communities that were irreparably disrupted and damaged by 20th century federal highway projects. \nEroding History tells the story of two Black communities on Deal Island\, on Maryland’s Eastern Shore\, that are finding themselves at the intersection of sea level rise\, historic racism\, and the disappearance of Black communities. It is a climate justice story\, made by two Black filmmakers – Yoes and Andre Chung – and a Jewish grandchild of refugees\, Rona Kobell. A deeply personal and moving story of a community striving to hold on to its culture\, Eroding History is anything but dry. \n 
URL:https://archive.lewismuseum.org/event/king-day/
LOCATION:Reginald F. Lewis Museum\, 830 E. Pratt St.\, Baltimore\, 21202\, United States
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