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DTSTART;VALUE=DATE:20230928
DTEND;VALUE=DATE:20240205
DTSTAMP:20260411T042615
CREATED:20230809T191219Z
LAST-MODIFIED:20240113T005101Z
UID:11499-1695859200-1707091199@archive.lewismuseum.org
SUMMARY:Blacks In White: African American Health Professionals 
DESCRIPTION:Blacks In White: African American Health Professionals\nSeptember 28\, 2023 – May 20\, 2024 \nThis exhibition proactively presents a snapshot of African American and Black health professionals in Baltimore\, Maryland\, and the Chesapeake region and their many interventions to protect and support Black public health. Blacks in White traces health practitioners’ commitment\, innovation\, ingenuity\, and resistance to medical racism. The narratives presented in the exhibition intentionally trace the continuous and creative efforts of Black community members and health professionals to provide care for and to African Americans. \nBlacks in White explores four primary themes that help frame the contributions of African American health professionals in the region\, including: a timeline outlining African American access to health\, the role of key institutions in supporting public health education for African Americans\, exploring the pivotal role of Provident Hospital\, and highlighting the contributions of African American community health giants.   \nPlan Your Visit\n 
URL:https://archive.lewismuseum.org/event/blacks-in-white-african-american-health-professionals-2/
LOCATION:Reginald F. Lewis Museum\, 830 E. Pratt St.\, Baltimore\, 21202\, United States
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20231005
DTEND;VALUE=DATE:20240116
DTSTAMP:20260411T042615
CREATED:20231019T161729Z
LAST-MODIFIED:20231019T161729Z
UID:12077-1696464000-1705363199@archive.lewismuseum.org
SUMMARY:Vision & Spirit | African American Art: Works from the Bank of America Collection
DESCRIPTION:Vision & Spirit | African American Art: Works from the Bank of America Collection \nOctober 5\, 2023 – January 15\, 2024 \nVision & Spirit | African American Art: Works from the Bank of America Collection is composed of more than 100 paintings\, prints\, drawings\, photographs\, and mixed-media works by 48 artists born in the nineteenth and twentieth centuries. The exhibition highlights key aspects of these artists’ lives\, as well as the important objects they created. Vision & Spirit focuses on these talented individuals’ strength and spirit as creative forces whose work continues to shape our understanding of the world. \nThe wide variety of artists represented in the exhibition look forward\, contribute to progress and guide the visitor toward greater equity and understanding. The theme of Vision & Spirit is resilience and demonstrates how African American artists have embodied this quality in their work. The exhibition explores the meaning of resilience: Is it perseverance? Is it staying power\, or is it something much deeper? Resilience embodies strength and humanity. \nArtists in the exhibition include Henry Clay Anderson\, Chelle Barbour\, Romare Bearden\, Dawoud Bey\, Willie Cole\, Murry DePillars\, Jacob Lawrence\, Whitfield Lovell\, Gordon Parks\, Faith Ringgold\, Jamel Shabazz\, and James VanDerZee. \nArtists have always mattered. Whether it’s Lorna Simpson\, whose work challenges narrow\, conventional views of identity\, history and memory using the African American woman as a visual point of departure\, or Dewey Crumpler\, whose examinations of the lure of contemporary pop culture in his mixed-media works explore global consumer capitalism\, they inspire other artists to push forward and develop new ideas. \nVision & Spirit inspires viewers to go on a journey of revelation and discovery. Passion\, ingenuity\, and beauty are brought forth by the creative geniuses in this exhibition. Art is a two-way conversation; viewing art is not a passive act. The artist speaks through their work\, and\, by way of their experience\, the viewer has the opportunity and privilege to listen\, reflect and to be transformed. \nPlan Your Visit\n 
URL:https://archive.lewismuseum.org/event/vision-spirit-african-american-art-works-from-the-bank-of-america-collection/
LOCATION:Reginald F. Lewis Museum\, 830 E. Pratt St.\, Baltimore\, 21202\, United States
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20231209
DTEND;VALUE=DATE:20231210
DTSTAMP:20260411T042615
CREATED:20231129T211128Z
LAST-MODIFIED:20231129T211137Z
UID:12284-1702080000-1702166399@archive.lewismuseum.org
SUMMARY:Duke Ellington’s Nutcracker Suite\, with Charles Funn Big Band\, featuring Baltimore Dance Tech
DESCRIPTION:Duke Ellington’s Nutcracker Suite\, with Charles Funn Big Band\, featuring Baltimore Dance Tech \nSaturday\, December 9 | 3:30 pm – 5 pm \nEnjoy the holidays with a performance of the  ballet classic\, the  Nutcracker with an urban twist.  \nThe performance fuses live jazz and ballet\, with original arrangements by Duke Ellington and Billy Strayhorn\, to form a soulful celebration celebrating the Baltimore Cultural Arts Project 1964-1993.  A digital exhibition will feature photos of the first Cultural Arts Urban Nutcracker performed in Baltimore City (1976-1977).\n \nThis multigenerational  live performance will include:  \n\nOriginal dancers from the  Baltimore Cultural Arts Project – Duke Ellington Nutcracker\nDunbar jazz band alumni(s) led by Music Director Charles Funn\nUrban Youth Ballet \nBaltimore Dance Tech Company members with  Dance Director Ms. Stephanie Powell\n\nBorn out of President Lyndon B. Johnson’s War on Poverty and the Model Cities legislation passed by the U.S. Congress in 1966\, the Baltimore Cultural Arts Project was created by the Model Cities Program in the late 1960s in order to provide creative programs\, events\, and instruction in theater\, dance\, music\, art\, and more.  Free and widely available dance\, performance\, and visual arts education for three generations of Baltimoreans are some of the longest-standing legacies of the Cultural Arts Project. CAP also led to the founding of several key arts initiatives and institutions in the city\, including AFRAM\, Arena Players\, Eubie Blake Cultural Center\, and Baltimore Dance Theater. \nRegister Here
URL:https://archive.lewismuseum.org/event/duke-ellingtons-nutcracker-suite-with-charles-funn-big-band-featuring-baltimore-dance-tech/
LOCATION:Reginald F. Lewis Museum\, 830 E. Pratt St.\, Baltimore\, 21202\, United States
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20231209
DTEND;VALUE=DATE:20231210
DTSTAMP:20260411T042615
CREATED:20231129T211747Z
LAST-MODIFIED:20231206T224833Z
UID:12282-1702080000-1702166399@archive.lewismuseum.org
SUMMARY:Film Screening & Discussion Maurice Hines: Bring Them Back
DESCRIPTION:Film Screening & Discussion Maurice Hines: Bring Them Back\nSaturday\, December 9th | 12 pm – 2 pm\nMaurice Hines: Bring Them Back is a portrait of the charismatic song-and-dance man from his tap-dancing childhood to today. Maurice and friends—Chita Rivera\, Mercedes Ellington and Debbie Allen—tell tales from his seven-decade career\, including Broadway shows\, a co-starring role in Francis Ford Coppola’s The Cotton Club and about his loving yet complex relationship with his superstar brother\, the late Gregory Hines. Ever battling the challenges of being a gay\, black man in show biz\, Maurice shares his story with humor and grace. Join husband and wife filmmakers John Carluccio and Tracy Hopkins for a post-film conversation on Mr. Hines as we celebrate his upcoming birthday on Dec 13. The conversation will be moderated by interdisciplinary artist and tap dancer Brinae Ali. \nAbout Our Guest:\nJohn Carluccio | Director\, Producer\, D.P.\, Editor\nJohn is a two-time Emmy-nominated filmmaker who is best known for documenting obscure pockets of urban society and the creative process. His documentary project Battle Sounds (1997) has a large underground following and is considered to be the first film to document the Turntablism movement in the 1990s. John’s short films have aired nationally and internationally. In a 20-year span\, John created over 500 short films as an on-staff producer/director for TV and digital networks including Current TV\, BRIC TV and Dubspot Music School\, and for clients such as the W.K. Kellogg Foundation\, Native Instruments\, and Sozo Artists via his production companyCINQUA | Creative Documentary Agency.   \nTracy E. Hopkins | Writer\, Producer\nTracy is an award-winning and widely published arts and entertainment journalist. With over 25 years of experience\, she has interviewed hundreds of performing artists and written and reported for numerous print and digital media outlets including The Associated Press\, PEOPLE\, Essence\, AARP\, Entertainment Weekly\, Rollin Stone\, Broadway World and Dance Business Weekly. As an editor and researcher\, Tracy has worked with Time Inc.\, Rodale Press\, Conde Nast and T Brand Studio. Tracy has produced segments for BRIC TV and as an Associate Producer she has worked on two documentaries for Drifting Cloud Productions. \nAbout Our Moderator:\nAlexandria “Brinae Ali” Bradley\, born and raised in Flint\, Michigan\, is an interdisciplinary artist who believes in using the power of the arts to transform the conditions of the human spirit. When she is not traveling and performing\, she is giving back to young people and grass roots organizing. Currently Bradley is the artistic director of Tapology\, Inc. a youth based outreach program in Flint\, that believes in preserving the art of tap and jazz culture through education and performance. As an educator she has collaborated with After School Activities Partnership\, East Park Revitalization Alliance\, Philadelphia Clef Club of Performing Arts\, Raise It Up! Youth Arts and Awareness\, Flint Youth Theatre\, Mural Arts of Philadelphia\, Young Audiences of New Jersey\, Queens College\, Long Island University\, Ping Chong and Company\, New Jersey Performing Arts Center\, and was an artist in residence at the Carol Morgan School in Santo Domingo\, Dominican Republic and Apollo Theater Education with Wadleigh High School in Harlem NYC. She has also served as an adjunct professor at Queens College and Long Island University.  Internationally Bradley has traveled and performed around the world in countries such as\, France\, Germany\, China\, and Brazil.  She also travelled with a team of tap dancers to Russia for a tour in 5 cities working with the U.S. Embassy for its cultural exchange program celebrating National Tap Dance Day.  Her broadway and off-broadway experience has gained her positions as assistant dance captain for  “Shuffle Along: the 1921 Sensation And All That Followed” choreographed by Savion Glover and directed by George C.Wolfe\, company member of NY and Touring cast of  STOMP\, special feature in the “Cotton Club Parade” which later became “After Midnight” under the musical direction of Wynton Marsalis\, New York City Center Off -Center production of “Don’t Bother Me\, I Can’t Cope” directed and choreographed by Savion Glover and was a part of a two week tour in Italy celebrating Ella Fitzergerald’s centennial.  As a playwright and songwriter she has also created award winning works such as Best Short Play at the Downtown Urban Theater Festival for her one woman show “Steps” and the Vox Populi Independence Music Award for  “Destination Forever: Vol.1 EP.” Currently she is developing a work in progress with trumpeter Sean Jones called “Dizzy Spellz” fusing tap\, Bebop\, Hip Hop\, and Afro Cuban music to articulate the African American experience through the music of Dizzy Gillespie from a afrofuturistic lense.\n \nRegister Here
URL:https://archive.lewismuseum.org/event/film-screening-discussion-maurice-hines-bring-them-back/
LOCATION:Reginald F. Lewis Museum\, 830 E. Pratt St.\, Baltimore\, 21202\, United States
ATTACH;FMTTYPE=image/png:https://archive.lewismuseum.org/wp-content/uploads/2023/11/Maurice-Hines-05.png
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